Tuesday, November 10, 2009

Classic censorship/writing history as you see fit!!!!!

In about 1972 Fred Pfening was putting together a Wild Animal Trainer issue and he asked me who had worked the most cats at one time, Beatty or Jacobs. I dodged the question by telling him that I didn't think a trainer could be judged solely on the basis of the number in the act and that they both had great reputations. He handled the matter by saying in his terrific article "Masters of the Steel Arena" that Jacobs was generally acknowledged to have handled more lions and tigers at the same time than any other trainer and that Beatty had more showmanship than all the rest.

Blogger Harry Kingston said...

Dave,
You being the expert on Beatty and other animal trainers my question to you is I thought Jacobs was the lion king and only had lions in his act, and Beatty did both lions and tigers????
And Beatty was Mr. showmanship and no one equalled him for sheer excitement and his presentation.
Your thoughts please as when you and Fred Pfening are gone to the big top in the sky who will answer our questions.
Harry

07 November, 2009 14:10

Anonymous Ole Whitey said...

Harry:

First of all: Pfred and I do not intend to go to any big top in the sky. Not any time soon.

Second: There are many who know more about this stuff than I do. You have probably been dazzled by my good looks into thinking I must be smart too.

Third: I don't know at what point Jacobs first introduced tigers into his act, but yes he was a lion man prior to this.

07 November, 2009 14:33

Anonymous Richard Reynolds said...

But Jacobs could not handle the black leopards in 1938. His biggest moment and it did not work. What does that say?

07 November, 2009 23:50

Anonymous Ole Whitey said...

It probably says that he was pressured by the front office to have this act ready in a much shorter time than was possible.

08 November, 2009 09:21

Blogger Harry Kingston said...

If just got off the phone with my great circus friend in New York, Mike Cecere that has tried to train leopards. Mike says that leopards are another ball game from lions and tigers. He says there attention span is very short.
The will not stay on there seat and get off and lay on the ground and play with other leopards.
He had talked with people that knew Jacobs and used the collar and chain method to train.
Also back in 1938 black leopards were in short supply and Jacobs had large adult ones. And probably was trying to do this in a short period of time and it was not working.
John Ringling North wanted this act for the New York opening which did not happen. I know posters were printed as I have the Strobridage one.
I am sure JRN was not happy that the act was not ready and Alfred Court was wanting to come to America with the war going on in Europe so he replaced Jacobs with Court.
Harry

08 November, 2009 15:50

Anonymous Roger Smith said...

One theory that circulated Thousand Oaks held that rather than deciding on a black leopard act and allowing Jacobs to choose the stock, John North bought what was available at the moment and ordered Jacobs to train them. When the trainer is left out of the selection process, he can't know what he's facing, and the odds are against him. Jacobs was going in blind, with an imposing deadline. The failure of the act rests not so much with Jacobs as with the thoughtlessness and anxiety of JRN.

09 November, 2009 16:18

____________________________________________________________________
Censored comment:

Buckles,
I have never heard so many alibis and patches in one jackpot as there is in this one to explain/justify someones failure.

Wade Burck

Note RJR had the nerve to ask a valid question, which was quickly shot down as it opened the door to bash JRN. Maybe the "history channel" didn't post my comment as there was no longer anything/anyone to blame the incompetence on?

5 comments:

johnny said...

I was pleased to work with and get to know Terrel quite well. I believe his style of wild animal training woulde not fit with the finesse of leopards. In other words I cannot imagine him with leopards. I wonder if the show ever even bought the amount of animals for this act and when would he even have time to train them. Whatever, maybe the blind lead thew blind. Leopards were not GGW 's style as well or his training expertise.

Anonymous said...

I've never read that training leopards took a certain 'finesse' before...
Joe Frisco Sr. worked a session with us when we ran into some problems our first year with the leash/magic act and gave us gifts of a broom and a feather duster...You had to be really quick with those tools, lol. If they managed to get them away they would run back to the cage draging you to get get there to destroy them! In the early years I not only had the treat bag but a hidden feather duster like a 'security blanket', lol.

I've watched others train them though and other than two of the trainers I have watched, all did use the leash, all started with cubs or very young cats already familar (bonded as some people say) with 'people', and made it seem more like play to the cats with lots of treats.

Lillianna had to be one of the finest leopard trainers I have ever had the pleasure of watching train and she did not use the leash and to my knowledge, never did. I even heard someone say that she did not think much of training the animals with a leash and that it took great skill to put them in the cage and work free.
She was extremely skilled and impressive throughout the entire training session! I have never forgotten it, leaving her home talking to myself...

While I never saw the act, I have seen pictures of Robert Baudy working a leash act of leopards.
He said something about them being a 'woman's cat'.

Does anyone know how Gunther trained his act, and did he start with cubs? It seemed they were all hand raised and young; I have always wondered. I heard they were all bottle babies and hand raised by his wife, can that be verified?
I was particularily impressed with that act! Would love to know more about his history with leopards and why he started working with them.
I managed to purchase a tape of the act a few years back but not found anything relating to the background of it.
-B

Anonymous said...

Gunthers act was awesome. The problem (I saw) was that the small cats didn't look as impressive from a distance in the arena, and the black leopards were difficult to see, but it was an exciting act, and it's too bad he discontinued it so soon. I also thought the tiger/elephant/horse act was fantastic. Another act I wished he had done longer.
I liked Lilli's act, but one of my favorites was Dickie Chipperfield's act, which I saw in England as a kid. I can still vividly recall the leopards pouring out of the chute at the beginning of the act, and from my front row seat, I could see everything clearly. Even though I was 7 at the time, the lay down/cover trick had me holding onto the edge of my seat - it was the danger aspect that I think, is missing in some acts today.
Apart from that (and Frank Simpsons act worked by Struppi), I think those are the only all lepard cage acts I've seen. The leash acts always left me a bit cold.
My little thrill was having the job of standing behind on of the cats in Connie Welde's act which needed a tap to get it to jump from it's padestal. It was the same one that killed the kid on Roberts Bros. and it sat there snarling at me the whole time. I was glad when that date was over.

john herriott said...

Lilly bought Frank Simpsons act. That is wha put her in te cat act biz. She did enhance on it and with her beauty and great presentation took it from mediocre to top drawer. She had Sveno had the neatest, cleanest cat act in circus biz.

Anonymous said...

Didn't Mabel Stark train leopards at one point? I seem to remember a quote from her, something like, "I never liked working with them (leopards) because they always got underfoot." I know I have photos of her late in life working at Thousand Oaks with a leopard standing in front of her with its front paws on her shoulders. Also, didn't Alfred court train a number of leopards for the various mixed acts that he produced, including the act with the showgirls in the cage in the 1940's? I always thought alfred Court was the master leopard trainer...
Neil Cockerline
Minneapolis