Tuesday, July 22, 2008

Dominique Jando--Artistic Director and Circus Expert/Historian

Buckles Blog February 26, 2008 One of our first meetings with Dominique Jando whom nobody had heard of given his fame as a world wide Circus expert. I took offense at his inferences to the United States, and Johnny Herriott took offense at his inference to the old school. But at least we both took offense to this self proclaimed, self promoted expert.


I have seen Charly Baumann, and I have seen Gilbert Houcke many times, too. Charly Baumann was indeed a great cat trainer, but as an artist, he was not in Houcke's league. This is what made the difference. Houcke had an amazing charisma, the sort Gunther had, but with more elegance. He was very quiet, always smiling, very sure in each of his moves. Nothing brisk, ever. His act was choreographed like a ballet. In its final version, Houvke didn't have other props than large stools in the cage -- like low profile elephant stools -- on which the tigers could move and lie. In some way, the act looked like a first-rate liberty act, but with tigers. It was gorgeous, and nonetheless spectacular. It just showcased the sheer beauty of the animals.

But there was something else with Gilbert Houcke, too: I always noticed that when he entered the cage, before his tigers, the audience was mesmerized; you couldn't ignore his presence, his extraordinary charm. I remember him, too, when he was in his Tarzan costume. I was perhaps 10 years old when I saw him for the first time; my mother whispered, when Houcke entered the cage, "What a built, this man!" (in French...) I guess that for every woman in the house it was, "Tigers? Which tigers?"...

I am a big cat fan, and I have seen all the great cat acts I could get a glimpse of, here, in Europe, in Russia, and even in Asia. Baumann was Houcke's replacement with the group of tigers he originally brought here. He surfed on Houcke's wave for a time, but never reached his predecessor's fame or impact on the audiences. Keep in mind that in Europe, audiences actually watched the acts (in a one-ring circus, it's difficult to do otherwise) and were pretty savvy. In Paris, where you had until 1963, two permanent circuses that changed their program every month, the audience saw a great quantity of acts, and was able to judge the difference between one and the other. Houcke was a star, who actually could draw an audience. There was a reason to this. Other cat trainers may have done the same tricks as Houcke. Few did it with such remarkable artistry.

Dominique Jando

Wade G. Burck said...

Mr. Jando,
Don't think I don't have a few thought's. It may be a bit, though because I am on a lap top at the moment. I need to get to a printer, and print your heading, as that nonsense need's to be addressed carfully. There is that much chaffe. I don't want to keep going back to see if that is what you really said. I will address that shot across the bow at America, before I go though. To start, we watch our cage act's here, working alone too. Just one more thing, "you all" are not so good at. Then just like a queen's coronation(you guy's like that stuff), we kick into grand lavish, three ring display's. Our thought's of grand and beautiful don't usually run along the lines of 10 act's and 8 to 13 family member's and turn away crowd's because 2000 seat's are full. That's not a straw house in this league, Pal.
Don't go away,
Wade Burck

johnny said...

I am flabbergasted at your remarks. Putting Charly, and comparing him in a loin cloth, is like Clark Gable and Johnny Weismuller. By the way Gable did make a great jungle picture "Mogambo" and was never scene in a loin cloth. Charly was featured with the GSOE for some 13 years, even during the Gunther saga and believe me his act was always the best of the best, and as to charisma with the ladies, in the Sixties he was one of the most handsome, smooth movements of all our showbiz personalities, and when he back up to a tiger on its seat and the tiger4 proceeded to lick and kiss him, believe me all the females in the audience would love to relate nto Charly, and nno doubt a few males as well. Charly Baumann was never second rate to any of his contempories or those before him.

As to selling tickets the greatest circus person and greatest presenter of wild animals for center ring stardom for 42 consecutive years and had circus titles in his name for some 50 years and Ringling Delayed the opening of their great Hagenbeck-Wallace for some two weeks as he was so sensational in Madison Square Garden, and as Wade remarked it seated over ten thousand people, a few more than the one ring circus tents, and to further make you aware of your obvious misconciption of Americas three and even five ring circuses, Mr. Beatty worked all alone. I think you need to do some homework.

3 comments:

  1. I recall Mr. Jando being a season long visitor on Big Apple being fortunate that one of the performers let him "heel in" his trailor. He had no authority whatsoever and I was surprised that he invented himself as a critic, famed clown [I am aware of Grock, Fratellini, Charlie Rivels, Larible and others but never heard any suggestion of Mr. Jando] And that he would suggest that he is accepted judge of wild animal trainers is ludicous and if Mr.Reynolds bases his critique on these types he needs to do some more research on his sources of information. I am still waiting for his response concerning A rhino, Tarzan, Johnny Weismuller and Elmo Lincoln in regard to my very personal friend George Emerson on another blog. I guess alot of people can invent themselves when those that were there are no longer visible, but I hope that in a remaining few years I can keep a sharp eye on all you authorities out there and my record and years of service speak for themselves and if you think you have caught me not being truthful pleae let me know and I can give you the details.

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  2. Johnny,
    Welcome back. I am glad you didn't leave. I lied. I didn't evaporate you picture, I think it is a good picture and wish you would send me some liberty pictures. I do respect you, and you know damn well I do. I just need to twitch you now and then. But we tore this Jando clown up a few months ago didn't we? This is what's setting the standard around the world for our industry. If he is an expert on anything it is where to sit in a room full of men and elderly women, right by Ms. Cats and her athletic thighs, that's where.
    Speaking of waiting for responses, why are their no more high school acts in the United States anymore, and why do we have to go back so far to reference good ones, and what about the flooring that American horses have to work on.
    Wade

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  3. John Herriott,
    I wasn't eavesdropping, but as I was walking by Buckles house, I overheard this conversation:

    johnny said...

    No I have not, but I would like your clarification in regard to Elmo Lincoln and Weismuller. I hate to leave a stone unturned. You seem to be a self appointed authority on the subject.

    22 July, 2008 16:24
    Anonymous Richard Reynolds said...

    Johnny - -I have never commented on Lincoln and Weismuller that I can recall. Where is this coming from?

    I believe Lincoln was the first film Tarzan and Weismuller was arguably the most famous one in the loin cloth.

    Anyway, I hate those stones also, so allow me to flip one. Why are there no high school acts in America anymore, and why do we have to do back many years to reference good ones? What do you think of the surface for horses in the American circus? Good or bad? While I am at the rock pile, let me turn one more over. Oh looky here, let me get this out of the way. How do you think an elephants "beak" gets paralyzed, as you point out often in reference to European elephant acts?
    You seem to be a self appointed authority on the subject, plus you gave us permission to ask. Thanks,
    Wade

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